Music Accreditation Board
24/7 - Worldwide Accreditation
Open to all genres and styles: e.g. Classical, Ethnic forms, Modern & Contemporary, Jazz, as well as Post Modern forms, etc.
All kinds and styles – e.g., Orchestral, Jazz, Historical, Brass band, ethnic and ancient instrumentation.
All kinds and styles – e.g., Orchestral, Choral, and Band Conducting (with &/or without a baton).
All kinds and styles e.g. Spanish, Latino, Classical, Folk, Jazz, Rock, Acoustic, Bass, Electric, including related/historical instruments; e.g. Mandolin, Lute, Banjo, etc.
All kinds and styles including related instruments; e.g. Celtic, Pedal/Lever, Aeolian, electric, and including ethnic or any other historical instrumentation, etc.
KEYBOARDS / PIANO / ORGAN / ACCORDION
All kinds and styles; e.g. Classical, Contemporary, Jazz, Rock, Historical, ethnic and ancient instrumentation (Acoustic Pianos, all types of Digital Pianos, Electronic Keyboards, Computer-based keyboards (MIDI, etc.), Spinet, Harpsichord, Organ, and all types of Accordion, etc.
MUSICOLOGY / COMPOSITION
Includes but is not limited to Historical musicology, Jazz, Cultural musicology or Ethnomusicology, Popular music studies, Music theory, analysis, and composition, Music Psychology, Music Performance Methodology & Practice, and research, et al.
This section may be utilized for CPE purposes see Professional Access Program
MUSIC THERAPY / EXPRESSIVE ARTS THERAPIES
All approaches to Music Therapy are encouraged including integrated methods within the Expressive Arts Therapy / Counselling & Psychotherapy domain.
This section may be utilized for CPE purposes see GAIN Leadership Program
All kInds and styles; e.g. Orchestral, Jazz, Rock, Contemporary, Historical forms including all ethnic and African Drumming types and styles.
All kinds and styles; Orchestral strings, Jazz, Scottish Fiddle Music, etc including all forms of ethnic and historical instrumentation e.g. Baroque.
TEACHING / PEDAGOGICAL SCIENCE
All voices and styles; e.g. Operatic, Jazz, Contemporary, Pop, Percussive, ethnic voicing, primitive, tribal, and transitive forms, etc., including a self-accompanied voice in any form whatsoever (e.g., with guitar/ukulele, etc., or via the singer’s own accompaniment recording.
All kinds and styles: Orchestral, Jazz, Historical, as well as all types of ethnic instrumentation. Open to all genres and styles: e.g. Classical, Ethnic forms, Modern & Contemporary, Jazz, Post Modern forms, etc.